Showing posts with label Pass. Show all posts
Showing posts with label Pass. Show all posts

Sunday, 12 December 2010

Reality Bites – Pass





Reality Bites (1994) is an American romantic comedy film directed by Ben Stiller. Worthy to note: it also happens to be his debut as a film director.

Lelaina (Winona Ryder) an aspiring videographer working on a documentary called Reality Bites about the lives of her friends and herself, all prime examples of the Generation X.
One of these friends is Troy (Ethan Hawke) who moves in with Lelaina and her roommate Vickie after losing his minimum wage job for stealing a candy bar.
He's a slacker, nihilist and plays in a grunge band at coffe-shops by night.

Lelaina on the other hand is more ambitious than this.
Although working as a production assistant to an obnoxious TV host she was aledictorian of her university, and hopes to be taken seriously for her work as a documentary film maker.

Obvious to everyone, including themselves, they're in love with each other but too stubborn/afraid of commitment to admit it.

Lelaina meets Michael (Ben Stiller) and they begin to date. He works at an MTV-like cable channel called "In Your Face", falls in love with Lelaine and wants to help her get her documentary get aired on his network.

The story is not particulary complicated and doesn't surprise. It's not hard to guess whether Lelaine goes for the "corporate" guy who honestly loves her but is a bit dull or the sensitive sarcastic life-long friend...

The film passes the test a few times, mainly when Lelaina and Vickie discuss their lives. While men are part of that discussion, most is about their jobs and their future and their aims in life in general. There aren't many strong female characters in "Reality Bites" but considering that the whole movie very much centers on Lelaina and her perspective it's forgivable. At least it says much more about the simplistic way the movie works, than any

Anyway, you have to cut the film some slack. As a romantic love comedy it doesn't try to build up complex likable characters all around.
The film does escape from a lot of the cliché problems most of these movies run into. Michael doesn't become the completely "bad" guy. He might be a bit boring but he is lovable and he genuinely tries to do the best for Lelaina.
While the main topic is obviously her trying to decide between the two men in her life, she spends a lot of the time thinking about her future and what she wants to achieve in her life, taking her dream very seriously.

The three main actors all help making this a worthwhile entertaining watch.
While it's certainly not a must, for 90s-nostalgist like myself it's probably the best this genre has to offer. It's for you to decide how much that means given the circumstances.

Verdict: Pass & Recommended

Nanny McPhee & the Big Bang - Pass




Nanny McPhee and the Big Bang (in the USA & Canada released under the title "Nanny McPhee Returns", I wonder why, is the original British title somehow religiously offensive?) is the 2010 sequel to the 2005 family/children film "Nanny McPhee".
The movies were adapted into screenplays by Emma Thompson and are based on Christianna Brand's "Nurse Matilda" books from the 60s. They were directed by Susanna White.

Isabel Green (played by the wonderful Maggie Gyllenhaal) lives with her children on a farm in England during the second world war. While her husband is at war she has to keep the farm running, work her job in a village job (alongside the slightly mad Mrs. Docherty) and take care of her three children Norman (Asa Butterfield), Megsie (Lil Woods) and Vincent (Oscar Steer).

When her sister's spoilt rich children Cyril (Eros Vlahos) and Celia (Rosie Taylor-Ritson) are sent to the farm to live with them, and all children start fighting Isabel doesn't know what to do anymore.

This is where Nanny McPhee (Emma Thompson) is coming into play.
After a bang of her stick, the children soon realize that they cannot go on fighting, and eventually learn to tolerate each other.

Isabel's brother-in-law Phil (Rhys Ifans) desperately tries to make Isabel sell the farm, using many mean ways to make her do so. One including convincing her that her husband is dead. The children now try everything to prove it isn't so. Obviously they succeed, or this wouldn't be a very good "family" film at all. At least not one in the way you expect it to be.


The story is very predictable and old-fashioned but overall it's well-executed.
The actors are wonderful, from the main actors down to great appearances of Ewan McGregor, Billy Bailey and Sinead Matthews (not as well known as the former two but she should be! She plays the wonderful kooky Jenny on British comedy-drama-tv show "Ideal", my favourite tv show that airs, by the way).
The setting and clothes are very well-done, as well. There are some nice touches like Nanny McPhee's putty eating bird Mr. Edelweiss, or the Germans dropping a bomb by accident due to sneezing three times.

In regards to the test: it's passed easily here. Both of the girls have strong personalities, and of course Nanny McPhee herself talks to all the women in the movie.
There are also some rather interesting empowering moments. When the kids have to dismantle a bomb it is the girl Megsie who succeeds in doing so.

However, there are several things about that movie that irk me very much.

I can't put my finger on it, but there is something weird about the way the military and the war is portrayed. Of course that is a challenge to portray in a kids movie that is overall very carefree and quirky, but it felt just a bit too much trivialized to me. However, I can see how that would be problematic not to do in a movie with such a light tone set in the second world war.

The thing that I found really irritating was something else, though:

In addition to emphasizing discipline and manners (which I already find a bit questionable as a moral to children, to be honest) Nanny McPhee has five lessons to teach, each of which correspond to her various unattractive physical attributes: gray hair, two large moles, a unibrow, and a snaggle-tooth making her look like a stereotypical witch.
When all five lessons are learned, Nanny McPhee transforms from ugly to beautiful.

  • Lesson #1: To stop fighting - Upper wart disappears.
  • Lesson #2: To share - Lower wart disappears.
  • Lesson #3: To work together - Unibrow disappears
  • Lesson #4: To be brave - Hair goes from gray to brown.
  • Lesson #5: To have faith - Snaggle tooth disappears.

Now what exactly is that supposed to teach kids? That being "good" and disciplined is somehow directly connected to beauty? That by cleaning your room regularly and being friendly to people you can't stand, superficial attractiveness to other people can be achieved? I find that a very questionable and confusing message to send out to young kids.
Still I wouldn't over interpretate it. It's just very unnecessary, the whole plot would have worked just fine without it.


Verdict: Pass & Undecided

Thursday, 2 December 2010

The Quiet - Pass




The Quiet
(2005, USA) is a drama with thriller elements by Jamie Babbit, the woman who directed the wonderful comedy/satire drama "But I'm A Cheerleader" about a girl sent to a therapy camp to cure her lesbianism she herself didn't even know she had before.

The Quiet is not that easy to detect as standart-questioning movie. However, just one look at the poster reveals that yes, it passes the test easily. Despite the main character, Dot (Camilla Belle), not speaking most of the time.
Dot who everyone beliefs to be deaf and dumb goes to live with her godparents and their daughter Nina after her father dies. The atmosphere gets stranger and weirder - helped by the camera and lighting - as she discovers that Nina and her father share an incestuous sexual relationship that Nina herself is torn about, stating that she loves her father but hates him, too, planning to kill him. At the same time Dot and a popular guy at her High School fall in love, making her feel bad about pretending to not be able to speak or understand him.

"Many reviewers complained that it was sleazy, exploitative, and difficult to watch, and that it was too serious to be satire, yet too camp to be taken seriously" - This is very much why I had problems with this movie. While it is in no way a bad movie, it seems to be unsure about what it wants to be. It is entertaining and intriguing but also just plain weird, in a good as well as in a bad sense.

Elisha Cuthbert (before this role rather known for her parts as the plain blonde in "The Girl Next Door" or, even more tellingly, along-side Paris Hilton in the Horror remake of "House of Wax") plays the part of very messed up Nina in a way that changes between pitiful crazy abused daughter, hateful arrogant and calculative High School bitch and "appealing slut" for anyone looking out for incest porn, while Camilla Belle makes Dot seems very cold and more sure about everything she does then it would make sense in regards to her actions.

All the other actors seem very convincing, especially Martin Donovan as Paul, Nina's father, who - despite not having that many lines in this movie - gets the trouble inside his head between wanting to be a good person and his illness across well. However, exactly this, him coming across like a wholesome person with feelings who needs help, while his daughter at times seems like the one in charge in their sexual relationship, makes you wonder what exactly the director is trying to say here, if anything.
Edie Falco as the mother of Nina and wife of Paul, does a great job at portraying the mother who tries with all her might not to see what is going on, just to keep up the picture of a working family. Despite all this I couldn't help but think "But she's Carmela Soprano! Where is Tony!?" at times...

Also, there is this Beethoven theme throughout the whole film that seems somehow tragically random and misplaced.

The Quiet is definitely not your usual High School drama/family movie/thriller, but that doesn't make it automatically good. There's a lot of potential in almost every role and every direction the film is trying to take, but no consensus means it ends up in a very mushy emotional mess. If anything - it does entertain.


Verdict: Pass & Undecided

Sunday, 28 November 2010

XXY - Pass


XXY (2007) by LucÍa Puenzo tells the story of Alex (Inés Efron plays wonderfully convincing here!) a 15-year-old intersex person who is being raised as a girl with the help of medicine to surpress masculine features. The film deals with the way the family copes with her/his condition, first love and the ultimate decision that s/he must eventually take in a gender-driven world.

Recently Alex has stopped taking her meds. Her mother invites friends to stay with them for some time: a surgeon, his wife and teenage son Álvaro. Her hope, unknown to her husband and Alex, is to discuss the possibilities of a sex-change operation and turn Alex finally into the "proper" girl she has always wished to have. Alex' father, a biologist, however is unsure about it and just wants what is best for his child.

Meanwhile Alex and Álvaro start a strange and mutually confusing relationship that causes turmoil in both their sexual and emotional identities.


This Argentine film is very strong on emotional and visual levels alike, and comes with a clear and loud message: not to press gender identity on children and making them insecure about their bodies and feelings.

Verdict: Pass & Highly Recommended