I changed the way of the "formula" of the test, too. Hopefully it is a bit easier on the eyes now!
Original Title: Les Amours imaginaires
Genre: Drama /Romance/ (Comedy)
Country: Canada
Year: 2010
Director: Xavier Dolan
Starring: Xavier Dolan, Monia Chokri, Niels Schneider
Plot: The two friends Marie (Chokri) and Francis (Dolan) get to know Nicolas (Schneider) at a friends' dinner party and get along well. The next weeks they spend more and more time together, until they eventually both fall in love with him. While Nicolas is flirting heavily with both of them (or at least, this is how they perceive his actions - and any sane person would) they get more competitive and their friendship disintegrates. When they confess their love to Nicolas they are both rejected and are left in a horrible lonely state. Eventually Marie and Francis rekindle their friendship.
Bedchel Test:
At least 2 Women? Besides Marie there is Nicolas' mother, Marie's friends at the dinner party and several other girls at Nicolas' birthday party.
Talking? The only point where we get any women talking is at the dinner where Marie and Francis meet Nicolas for the first time.
...About something other than men? No. They're talking about Nicolas.
Opinion:
While the movie features almost no women at all, I don't hold it against this movie, because here it mostly makes sense. Heartbeats is less about love than it is about obsession. Marie and Francis are obsessed of the idea of being with Nicolas and therefor hardly talk about anything else and don't focus on anything else.
There are quite a few slow motion scenes of Nicolas, that might look ridiculous if you take them at face value, but if you recognize them as the idealised portrayal of two people obsessed with the idea of that "perfect being".
It's also interesting to note that the object that is "perfected" in their heads, that is superficialised and even partly reduced to his body (regarding the focus on his youthful beauty) is a man and not a woman. It was in interesting twist on the old-fashioned "femme fatale"theme.
I enjoyed the way that the sexuality of both was not put in question, that their lust and love for Nicolas was not portrayed in any different light "according" to their gender. There was one small thing that irked me, but it was put forward in an amusing way so I'm not critiquing it, just questioning it: In between the movie there are short sequences of men and women talking about their failed love affairs with (presumably) Nicolas. One man says the old and clichéd and still often heard assumption that being bisexual clearly means you're not able to decide between men and women, and that you must know! When you're in a supermarket you either look at penises or at breasts!
Obviously this assumption is not endorsed by the director or the film as such, but it's just put out there with no critique to it, either. It irks me because you get to hear this stuff so many times as a bisexual. The latter part irritated me the most, but maybe that's just me being strange: When I'm looking at people their sexual organs tend not the be the first or only thing I look at. Not to be going all "spiritual" on you, but I'm never ever attracted to someone, man or woman, if the person as whole doesn't fit together. Of course appearance is a big part of who someone is, but merely one part of that appearance? But hey, maybe that's just me not getting all horny by breasts or penises without bodies to go with them.
Back to the film: it had a very European vibe to it, and was clearly heavily influenced by French cinema. I'm not just talking about the characters' habit of constantly smoking but a lot of slow motions, long visual scenes with little direct "story content" to tell. I enjoyed that, especially because it seemed very consciously chosen and ironic. In the same way that these Francis-obsessed two people focusses so much on their appearance and small things (Francis hugging them! Francis being cute to them!, etc) the movie did, too. It was a great approach to make the viewpoints of the two characters more understandable.
All in all it's an enjoyable, amusing and definitely entertaining drama, that is less about love as it's about the tragic of peoples' obsession with it.
69/100
Verdict: Fail & Recommended
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